I harbor a lot of anger. I always have. 

Struggling with depression, as defined by Sigmund Freud as anger turned inwards, has complicated my relationship with the feeling. Like many women I know, it’s been difficult to identify what anger is mine and what does not belong to me. Over the last five years, it’s become necessary to figure that out in order to create a path for living with instead of against those feelings. What began as an exercise in self-soothing led to my exploring generational patterns and trauma, and the anger that accompanies it, as a thread between myself and the women who came before me. This record is an attempt to make sense of that, while opening up time and space for enjoyment, humor, and healing in the process. 

So much of our world is bombardment, distraction, noise. I wanted to make something that created space and time for sifting and soothing. I wanted to make music that had the effect of nourishing and nurturing. I needed it when I wrote it, and I need it now. In making it, I imagined bathing in the warm glow of sunshine - the kind that creeps in through curtains or a tree canopy. The kind that warms you to your bones, that makes you feel seen, that reminds you that you still exist and the sun still shines. 

I wrote the songs between 2016-2020, finishing just before the pandemic hit and we locked down in New York City. We’d been set to start in March of 2020, hoping to record as a band (the way we have our previous albums) but ended up slowly putting things together over the summer of 2020, coming into the studio one or two at a time to track the record. Cassidy, who was in Chicago, recorded remotely and sent in her viola parts. Allen Tate and I co-produced, Kyle Joseph, Carter Stirtz, and Ryan Mannix engineered, Allen and Kyle mixed, and Tyler McDiarmid mastered the record. The process was totally different from the way we’d planned it to go, which brought a strange ease, lightness, and experimentation to the fore. Making it was a true bright spot amidst all the isolation, frustration, and anger.


The title, ‘Get Caught Trying,’ references living a life inspired, bolstered, and made possible by the women who came before me. I have found that speaking upwards and outwards to them has opened, at the very least, a useful path forward. Over the past months, the need for this space and time has only been amplified, as the Supreme Court’s ruling on Dobbs v. Jackson Women’s Health Center, in which Roe v. Wade and Planned Parenthood v. Casey were overturned, has changed life for all of us. Listening to and embracing those who have come before us, who have been fighting the fight against so many odds and for so many years, is a reminder that we do not live this life alone - and we will not go into the future alone, either.

I HAVE NOT COME HERE ALONE by the Peace Poets

I have not come here alone

I carry my people in my bones

I have not come here alone

And if you listen you can hear them in my soul

I have not come here alone

I carry my sisters in my bones

I have not come here alone

And if you listen you can hear them in my soul

We have not come here alone

We carry our mothers in my bones

We have not come here alone

And if you listen you can hear them in my soul

‘If the one thing you believe to be true isn’t, what does that say about everything else?’ This is the first question I set out to explore in Storm Conductor. Written over four years and across 25 cities, the process spanned a time of deep heartbreak, physical challenge, and personal discovery. Having your heart broken is always awful, but this particular pain opened my eyes to an overwhelming realization: that my belief system revolved around love, and specifically around the idea that acquiring it made you worth something.

This led me to an even more difficult question: ‘Am I alone?’ I wanted to give faith, in a general sense, a place on the page. I wanted to write songs that both challenge and support the idea of a greater meaning. I wanted to mirror the experience of feeling simultaneously manipulated and emboldened by love. These questions led to more questions: ‘How does being alone affect my days - my choices both large and small? How can I know if any given answer is the truth? If I am alone in the world, is my life meaningless? If I am not, is my existence justified or made worthy?’ I may never have all the answers, but in writing this record I found a humanity in at least asking the questions. 

Beyond that, I wrote the music I wanted to hear. Melodies, words, and arrangements rolled around in my head as I grappled with anxiety, depression, self-loathing, anger, attachment, grief, and acceptance - all in tandem with what I could only describe as magical events and experiences that had me considering my spiritual condition. In reflection, I recognize that while the larger questions remain, I’ve let go of much of this particular pain through time and perspective. I feel gentleness, understanding, and forgiveness towards myself - a kind of warmth and sense of humor. As a friend once said, “Nothing is ever 100% good or 100% bad.” What it comes back to is that we’re only human, and it’s natural that we would want to investigate what it all means - and if it even means anything. And so, I embrace that investigation and hope to make space for others to do the same. Thanks for listening, and enjoy. - Claire